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Оглавление - Piano Performance Technique
Mental Actions and Self-Regulation
- CHAPTER 1: FUNDAMENTALS OF MUSICAL PERFORMANCE THINKING AND SELF-REGULATION
- §1. Notion of musical performance thinking and self-regulation
- §2. Sound and thought
- §3. The principle of enlarging of controlled frames
- §4. Work model for etudes
- CHAPTER 2: BASIC APPROACHES TO PIANO TECHNIQUE
- C. Czerny (ed. G. Hermer). Selected piano etudes
- §1. Positional and gamma movement. Etude No. 1 p. I
- §2. Rotary motion. Etude No. 4 p.I
- §3. Trill. Etude No. 11 p.I
- §4.Alternating the work of hands. Etude No. 44 p. II
- §5. Short Arpeggio. Etude №31 p.I
- §6. Chords. Etude №30 p.I
- §7. Repetition. Etude №27 p.I
- §8. Leaps. Etude №23 p. II
- §9. Long arpeggio. Etude №20 p. II
- §10. Double notes. Etude №15 p. II
- CHAPTER III. HAND AND FINGER EXERCISES
- §1. General overview
- §2. Principles of conscious control over sensations during hand exercises
- §3. Goals of hand and finger exercises
- §4. Sample set of exercises
- §5. Additional exercises for the work at etudes
- TECHNIQUE AND STYLE
- F. Chopin. Etude f-moll, op.25, No. 2
- F. Chopin. Etude Ges-dur, op.10, No. 5
- C. Debussy. Etude «Repeated notes»
- A. Scriabin. Etude Des-dur, op.8, No. 10
- REFERENCES
- AUDIO SUPPLEMENT. SELECTED PIANO ETUDES